Busy, busy, busy

Sending my children out into the great big world out there.

 This world-weary fellow is currently residing in Israel, soon to be a part of an international origami exhibition at the Tikotin Museum in Haifa, due to begin this summer. Some information about the Museum of Japanese Art in Israel can be found here. Saadya Sternberg, the acting curator for the show, assures me that origamists of renown from all over the world will be participating, so if you should find yourself Haifa this summer, why not drop on by!

   The piece is similar to earlier designs, more or less a cross between Moses and a mask I had simply named “Another Bearded Fellow”, apparently whilst in a funk of creative malaise. This new mask is distinguished by a coating of shellac, which is a treatment I’ve been experimenting with for a while, but only now have I started to get it right. It gives the piece a look of old varnished wood, and stiffens the paper and protects it from the elements as well.

Gemini mask This model may be easily recognized as a variation of the Triplet, with one face less. The original Triplet was inspired by a suggestion from Eric Gjerde and a three-faced sculpture he had seen. The two-faced variation, Gemini, was suggested by my better half, who has an aversion to odd numbers (the name, however, was my idea, so don’t blame her for that). It would seem I am highly suggestible. I should consider myself lucky that she didn’t suggest four faces to keep the number even (Mount Rushmore in paper? hmmmm….).

      This mask is in Massachusetts right now, being prepared for inclusion in the Origami Now! show at the Peabody Essex Museum in Salem, beginning this summer. Take a look at their press release and you’ll see that lots of really wonderful artists will be represented there. Go check this one out, it should be a great show. I would go myself, but I have still more irons in the fire.

    In addition to this year’s Origami USA convention in New York, which I hope against hope to be able to attend – so many good friends to see there – I’ll be helping out with the local Islamic Society of Lawrence’s youth camp for a day, elaborating on the influence of traditional Islamic arts in the seemingly disparate art of origami, re: tessellations. But mostly I’ll be showing little ones how to fold paper and have fun.

    And I’ve been invited to participate in the annual Origami Festival at Tansu in Houston, which looks to be a great time for all, with demonstrations, workshops and all that. It is also a charitable event for the Sunshine Kids Foundation, a Houston based organization providing positive activities for children undergoing cancer treatment. The kids will be at the festival and they will be folding. Should be a blast!

Nibelung

nibelung mask

    It began as something else (as is often the case – see previous post), but as folding progressed, a distinct character other than that intended began to emerge. To me, it looks like an ill-tempered dwarf, perhaps one who’s magic ring has just been stolen by some Rhenish pipsqueak with a fancy sword. I could call this one “Alberich”-  or I could go with another surly dwarf in another story about a magic ring, and call him “Gimli”. I wouldn’t want anyone to think I would actually sit through fifteen hours of Wagnerian bombast to get my inspiration, so maybe I’ll go with Gimli on this one.

nibelung detail

Shrewd observers might notice the similarities in this design to the previous post, “Mephistopheles”, especially around the mouth and mustache.  Gimli here did evolve directly from Meffy, which was done primarily as a beard study to solve some technical challenges with integrating a full beard with a simple mouth.  A lot of pleats to coordinate; the origamic equivalent of corraling cats. I try to make it seem as if I am completely in control of the paper when I fold these things, but that is not at all the case. Just making a nose or an eye is easy. Much of the work in designing these things is figuring out how in heck do you get all folds that come from these seperate elements to work together when you put a nose and two eyes and a mouth, etc., in close proximity to each other. At some point, I’m not telling the paper what to do anymore – it’s telling me. But that’s really the fun part. I’m not the only creator involved; the paper is there too, and when it works, it works because we are working together. That’s fun!

Further beard studies along the same basic design as Gimli led to his close cousin, whom I have called the “Green Man”.green man

Although it has been suggested (Thank you, Christiane), and it is consistent with the unofficial Tolkien theme herein, that he may be an Ent. I don’t know the names of any Ents, so I still don’t know what to call him (I’ll confess that I’ve never read Lord of the Rings – while I’m at it, I’ll confess that I’ve never sat for more than a few minutes of the Nibelungenlied either, but that doesn’t stop me from naming the other mask “Alberich”, as if I know what the heck I’m talking about).

   The eyes, nose and mustache are basically the same, but I’ve called in a tessellation pattern of hex twists and opened iso-hex twists to act as beard. Don’t worry if the above description makes no sense, I don’t know any good descriptive terms for the techniques used to make that tessellation; that may have to be the subject for a future tutorial on this blog.

   The Green Man, by the way, is currently on the virtual auction block at eBay. Do a search for “origami mask” and you’ll find it. You’ll also find a little glassine mask, images of which may be seen on my Flickr site as well. Keep watching eBay and you will find more of my pieces becoming available in the near future. I had been preparing in the last couple of months for a local annual art show, which last year provided an unexpected but very timely source of exposure and income. This year’s show was cancelled due to thunderstorms (an outdoor event in Kansas, in May, and no provisions for inclement weather – go figure). Oh, well. The northeast Kansas origami artwork collectors’ loss (a niche market, to be sure) is the world wide origami artwork collectors’ gain (you could say that I’m bumping it up a niche). The pieces that I prepared for sale locally (complete with protective polyurethane coating against the possibility of rain) will be made available globally. Long live the internet!

mask in progress – Mephistopheles

mephistopheles

This is a mask that I’m working on currently. I usually don’t post works in progress, but I thought I would record this one for posterity, as I think there are some interesting and new things going on in it’s developement, and the way I work, they may be lost forever in the final product. So this stage has been recorded for posterity.

I was otiginally trying to do something quite different, another bearded gentlemen – Zeus – but as I worked the mouth and beard, a smile appeared (in the mask, that is). My Zeus was supposed to be grimacing menacingly, but this fellow was smiling, and I could do nothing to wipe that self-satisfied smirk from his face; so I went with it.

The rest of the mask took shape of it’s own volition and the mighty Zeus faded away as the impish Pan took his place. Or if you prefer – Mephistopheles.

Tutorial of “flagstone” tessellation basics

flagstone basics -1   It begins with an open-backed hex-twist (if you don’t know how to make an open-backed hex twist… well…. learn how) – bifurcate of the pleats on the back to produce a triangle twist as close to the hex twist as you can
flagstone basics -2 begin to split the next pleat (it starts to get tricky, and the paper will not lay flat, it will even try to resist your efforts at this point) to begin to form another open-backed hex twist on the other side
flagstone basics -3continue the process going from on side of the paper to the other, splitting pleats to make triangle twists and adding pleats to make hex twists
flagstone basics -4and there ya go