Shopping Indie

  My little Etsy shop has been featured on Shop Indie Online , you should go there and take a look around. Many Etsy artists are featured and there is some wonderful stuff to be seen, it truly is impressive, the amount of creativity that’s going around. They say the economy is making handmade stuff more popular. The economy is the ubiquitous bete noire these days, but hard times do tend to make people creative. Even in the worst of times, one’s life needn’t be bereft of art. If you don’t have the scratch to buy any indie art, at least look around and I’m sure you will be inspired to make something yourself. Art, after all, is not a luxury, it’s a necessary element that makes life more than just living.

    On another note – I hate packing peanuts!

Just thought I’d mention that. As some of you know, while folding occupies much of my time, it does not pay the rent. To that end, I have a regular job in the acquisitions department of a college library. This fulfills another consuming interest of mine – books. I get to spend the day surrounded by books! I get to open boxes of new books every day! Wheeee!

     Except every now and then, like today for instance, some of those books come packaged in boxes filled with aerated puffs of styrofoam evil commonly known as “packing peanuts”. In the course of shipping, they get jostled around a bit within the box, rubbing against the books and each other, building up a charge of static electricity until upon their release from their cardboard confines they have become the clingiest, stickingest, annoyingest substance known to humankind. In this dry, winter weather, the static cling is nigh irresistable. These bits of hellish fluff will levitate from the box and chase you around the room like the Furies pursuing Orestes. They stick to the books and work their way between the pages. They infest. Do not ship with packing peanuts!

I feel better now.

Find me on Etsy

   I’m not a very good blogger. I’ll admit that. Of course looking at my posts and the interval of time between them should make that obvious.

   I like to fold. I’ve been developing my own techniques towards that purpose for something like six years now and I still manage surprise myself with what I can find in a simple piece of paper. Origami tessellation is, after all, a niche within a niche and by all rights it should have exhausted itself by now. But I keep folding.

   But I’m not that good at talking about what I do or how I do it. Folding the way I do has become as second nature as signing my own name. I don’t think about “reverse folds” and “rabbit ears” and “bird bases” when I fold and I don’t think any of those terms would apply anyway. I don’t know what words would apply.

    So don’t count on a book of instructions or diagrams coming from me: it’s not that I’m trying to hide anything or that I am possessive of my designs. I just don’t know how to do that. I have great esteem for those who create and encourage others to create with them; artists who can teach. My friend Philip is a great example of this ideal. I wish I could do what he does.

   People seem to like my origami, but I don’t think I’m much of an origamist. I’m just a struggling artist who stumbled onto an unusual way to get images out of my head and onto paper (or rather into paper). The creases I make are a meandering path into unknown territory, and the path is never the same the second time. If I could lead others down that path, or better yet, help them find their own, I would.

   Speaking of meandering, all of this is merely poetical justification for the more prosaic purpose of shameless promotion. I don’t have instructions or diagrams but I do have the origami art itself. Once they are folded, I have no use for them, but hopefully someone else would. I try to make them look good, as I would with artwork of any other media, and  each piece is one of a kind. I have opened a shop on Etsy to sell the fruits of my paper-folding perambulations. You can still go to my Flickr site, of course, if you just want to see what I’m up to. But now their is a home for pieces you can have for your very own. Buy one, hang it on your wall, scrutinize it, take it apart and try to put it back together again. Help me finance my paper habit.

Ultimate auction

“Ultimate” as in “the last one” ….. probably.

While putting work up for sale on eBay has been a good way to make  it available to anyone who would like to obtain a “Joel Cooper Original”, and the lucky bidders who have done so seem to be happy with their acquisitions – I still prefer venues where the pieces can be seen, held, touched and thoroughly examined by as many people as possible. Art fairs, conventions, maybe even a gallery or two (although most galleries frown on patrons touching the artwork, which is really not fair at all)

   That said, I’ve put one last mask on eBay for anyone who just has to have one-

rex mask

See a gigantic image of it here - and a link to the eBay sale here

 I think it’s pretty special – it was originally folded in Brazil for the first International Origami Tessellation Exhibition there, itself a rather special event (in many ways). At about 37 cm. tall it’s the largest mask I’ve ever done or will likely ever do (I had to wrestle a 100 cm. piece of Wyndstone Marble to fold this thing – not fun). You can see, it has acquired a coat of shellac like the mask in Israel from an earlier post, which gives it some nice character, as well as strengthening and protecting the paper.

Origamijoel sells out

Well, that’s a bit harsh – I’m just trying to support my folding habit is all. So I’ve got a few things on eBay. If you’ve ever considered collecting some unusual, original artwork (great conversation pieces and you can be pretty sure your neighbors don’t have one already) put a bid in on one of these. This auction closes soon, so don’t dawdle.

Nibelung

nibelung mask

    It began as something else (as is often the case – see previous post), but as folding progressed, a distinct character other than that intended began to emerge. To me, it looks like an ill-tempered dwarf, perhaps one who’s magic ring has just been stolen by some Rhenish pipsqueak with a fancy sword. I could call this one “Alberich”-  or I could go with another surly dwarf in another story about a magic ring, and call him “Gimli”. I wouldn’t want anyone to think I would actually sit through fifteen hours of Wagnerian bombast to get my inspiration, so maybe I’ll go with Gimli on this one.

nibelung detail

Shrewd observers might notice the similarities in this design to the previous post, “Mephistopheles”, especially around the mouth and mustache.  Gimli here did evolve directly from Meffy, which was done primarily as a beard study to solve some technical challenges with integrating a full beard with a simple mouth.  A lot of pleats to coordinate; the origamic equivalent of corraling cats. I try to make it seem as if I am completely in control of the paper when I fold these things, but that is not at all the case. Just making a nose or an eye is easy. Much of the work in designing these things is figuring out how in heck do you get all folds that come from these seperate elements to work together when you put a nose and two eyes and a mouth, etc., in close proximity to each other. At some point, I’m not telling the paper what to do anymore – it’s telling me. But that’s really the fun part. I’m not the only creator involved; the paper is there too, and when it works, it works because we are working together. That’s fun!

Further beard studies along the same basic design as Gimli led to his close cousin, whom I have called the “Green Man”.green man

Although it has been suggested (Thank you, Christiane), and it is consistent with the unofficial Tolkien theme herein, that he may be an Ent. I don’t know the names of any Ents, so I still don’t know what to call him (I’ll confess that I’ve never read Lord of the Rings – while I’m at it, I’ll confess that I’ve never sat for more than a few minutes of the Nibelungenlied either, but that doesn’t stop me from naming the other mask “Alberich”, as if I know what the heck I’m talking about).

   The eyes, nose and mustache are basically the same, but I’ve called in a tessellation pattern of hex twists and opened iso-hex twists to act as beard. Don’t worry if the above description makes no sense, I don’t know any good descriptive terms for the techniques used to make that tessellation; that may have to be the subject for a future tutorial on this blog.

   The Green Man, by the way, is currently on the virtual auction block at eBay. Do a search for “origami mask” and you’ll find it. You’ll also find a little glassine mask, images of which may be seen on my Flickr site as well. Keep watching eBay and you will find more of my pieces becoming available in the near future. I had been preparing in the last couple of months for a local annual art show, which last year provided an unexpected but very timely source of exposure and income. This year’s show was cancelled due to thunderstorms (an outdoor event in Kansas, in May, and no provisions for inclement weather – go figure). Oh, well. The northeast Kansas origami artwork collectors’ loss (a niche market, to be sure) is the world wide origami artwork collectors’ gain (you could say that I’m bumping it up a niche). The pieces that I prepared for sale locally (complete with protective polyurethane coating against the possibility of rain) will be made available globally. Long live the internet!